This styling and photoshoot assignment was completed for my Fashion Journalism class, individually featuring models Abby Castillo & Vivien Hall.

Emma Hart | 11.17.25

Set within the warmth of a small town, this shoot blends cozy fall textures and colors with elevated style. These looks are perfect for layering up, sipping something warm, and spending an afternoon relaxing locally.

This assignment was completed individually for my Fashion Journalism Class for the purpose of reporting fashion-worthy news.

Emma Hart | 10.9.25

Mattieu Blazy’s Chanel debut at Paris Fashion Week signaled a striking new direction for the legendary fashion house, blending Chanel’s classic heritage with new innovation

All eyes were on Matthieu Blazy this week as he signified a new era of Chanel by mixing their classic codes into reimagined looks with his debut Spring 2026 ready-to-wear show closing Paris Fashion Week, and he did not disappoint. Blazy, who was previously the Creative Director of Bottega Veneta, stepped into his new role at Chanel earlier this year. This debut was highly anticipated as his predecessor Virginie Viard remained close to Chanel’s traditional roots during her time in charge and Blazy’s aim was to challenge them creatively while also keeping in touch with that significance. 

Mathieu Blazy solidified his legacy on Monday as a next level designer with an ability to reimagine Chanel’s tradition into new relevance. Blazy took heavy inspiration from Gabrielle “Coco” Chanel for a large portion of this collection and added his own architectural vision to it. As the brand faced rising pressure to connect with a younger audience without losing what it was at its core, Blazy’s fresh vision delivered exactly what the fashion house needed to reassert its dominance in the industry. The collection showcased the reimagining of Chanel’s classic tweed suit, crisp androgynous blouses layered with sculpted overcoats, and the reutilization of the classic Chanel pearls into modern embellishments.

Another memorable aspect of this debut was the galactic set design adorned with massive celestial globes hanging in the air. This design is symbolic of the new era that has begun under Blazy’s vision. A new universe of modern interpretations that remain true to the brand’s origin yet create new interest has come to be. The set design itself held true to Chanel’s classically intricate set designs under Karl Lagerfeld’s era. When asked about the inspiration behind the celestial choice Blazy stated, “We all look at the same sky. We all see the stars. There is something universal. It should also be beautiful and enjoyable, this is what we have to propose also in fashion.” 

Critics praised the show afterwards deeming it a massive success with fashion journalist Sarah Mower stating, “Blazy didn’t reinvent Chanel, he reminded us why it still matters”. Blazy’s true impact is still yet to come as Chanel plans to build on the momentum and we’ll see more of his work in the coming year. However, the message with this debut is clear, tradition does not have to be replaced, but can be rebuilt and reinvented into a new light.

Emma Hart | 10.2.25

This page was created individually for my Fashion Journalism course and is meant to replicate the style of a shopping page in Harper’s Bazaar.

This assignment was completed individually in my Fashion Journalism class for the purpose of writing a catwalk review.

Vogue World: Hollywood menswear runway proved that bold tailoring and dramatic outerwear aren’t just for the silver screen; they’re redefining how men can express style today.

Emma Hart | 10.30.25

On October 26th, 2025  Vogue World: Hollywood premiered at the Paramount Pictures Studio Lot in Hollywood showcasing the symbiotic relationship between film and fashion while raising money for film and costume professionals affected by the California wildfires. This event was made possible by collaboration on the runway between fashion houses, film studios, and costume designers under the direction of Vogue and Creative Director of the event Juan Costa Paz.

This runway show staged a love letter to fashion and film honoring classical costume pieces and films throughout. The runway was filled with a mix of original costumes and inspired new designs. Conde Nast Chief content officer Anna Wintour described the event prior to its unveiling with a quote from Fashionista stating “Vogue World will be a one night only show with a huge cast… setting great film costumes next to brilliant fashion collections”. There was a perfect balance of homage to past eras and originality through the blend of old Hollywood references with fresh innovative interpretations. It was made clear from the beginning that this was not your average show especially in the category of menswear. 

Each men’s ensemble that graced the runway was a statement that shed the light of old Hollywood glamour on modern times. Big bold silhouettes and precise tailoring were the features of the night. Callbacks to jazz era cinema warranted excellently tailored zoot-suit inspired jackets with broad shoulders and wide-leg trousers. An emphasis on playing with texture was displayed through velvet dinner jackets and metallic sequin blazers shimmering under the old film set lights. Leather trench coats and overcoats with massive silhouettes that billowed like capes also made appearances throughout the night. Each look felt like a scene straight out of a noir, musical fantasy, or period piece. 

However, these dramatic ensembles would be nothing without the impeccable pairing of accessories that looked straight off of a vintage film costume rack. Overcoats were cinched with red woven belts and golden tassels. Wide brimmed hats cast cinematic shadows over the faces of the various models and celebrities wearing them. The brooches, pocket watches, and hats felt reminiscent of a time where films came in black and white and mobsters roamed the streets of cities. Primarily they served as tools of storytelling and proved that layering accessories can create some of the drama that’s been lacking in modern day menswear. The standout colors of the night only furthered the ensembles with rich jewel tones, deep emeralds, midnight blues, and subtle pops of bright red.

Overall the event solidified  that menswear can be cinematic, expressive, and bold without sacrificing wearability or sophistication. Menswear is about character just as much as it is about construction and deserves to be dramatic. In a world where menswear often plays it too safe, Vogue World: Hollywood dared to play the lead role, and on this runway men’s fashion finally got their close up.